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Aparicio, Frances. Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures. Hanover, NH : University Press of New England, 1998. [ML3535.5 .A63]

Avant-Mier, Roberto. Rock the Nation: Latin/o Identities and the Latin Rock Diaspora. New York: Continuum, 2010. [ML3534.6.L29 A83]

Baim, Jo. Tango: Creation of a Cultural Icon. Bloomington: Indiana University Press, 2007. [GV1796.T3 B34]

Béhague, Gerard H., ed. Music and Black Ethnicity: The Caribbean and South America. New Brunswick: Transaction Publishers, 1994. [Main Library - Folklore ML3549 .M87 1994]

Brennan, Timothy. Secular Devotion: Afro-Latin Music and Imperial Jazz. New York: Verso, 2008. [ML3475 .B74]

Browning, Barbara. Samba: Resistance in Motion. Bloomington: Indiana University Press, 1995. [GV1637 .B76]

Castro, Ruy. Bossa nova: The Story of the Brazilian Music that Seduced the World. Chicago: A Cappella, 2000. [Main Library ML3487 .B7 C39 2000]

Chamorro E., J Arturo. Mariachi antiguo, jarabe y son: símbolos compartidos y tradición musical en las identidades jaliscienses. Guadalajara, Jalisco, México: Secretaría de Cultura, Gobierno del Estado de Jalisco, 2006. [ML3485.7.J3 C43]

Chew Sánchez, Martha I. Corridos in Migrant Memory. Albuquerque: University of New Mexico Press, 2006. [ML3570 .C52]

Collier, Simon, et al. Tango!: The Dance, the Song, the Story. New York: Thames and Hudson, 1995. [GV1796.T3 T34]

Davies, Rick. Trompeta: Chappottín, Chocolate, and the Afro-Cuban Trumpet Style. Lanham, Md.: Scarecrow Press, 2003. [Music Library ML3486.C8 D38]

Dudley, Shannon. Carnival Music in Trinidad: Experiencing Music, Expressing Culture. New York: Global Music Series, Oxford University Press, 2004. [ML3486.T7 D83 Text]

Edberg, Mark Cameron. El Narcotraficante: Narcocorridos and the Construction of A Cultural Persona On the U.S.-Mexico Border. Foreword by Howard Campbell. Austin: University of Texas Press, 2004. [Well Library (Research Collection) HV5840.M6 E33 2004]

Fernandez, Raul A. From afro-Cuban Rhythms to Latin Jazz. Berkeley: University of California Press; Chicago: Center for Black Music Research, Columbia College, 2006. [ML3565 .F47]

Ferrer, Horacio. The Golden Age of Tango: An Illustrated Compendium of Its History. Trans. Alejandro Tiscornia. Buenos Aires: Manrique Zago, 1996. [Main Library GV1796.T3 F39613 1996]

Hagedorn, Katherine J. Divine Utterances: The Performance of Afro-Cuban Santería. Washington: Smithsonian Institution Press, 2001. [ML3565 .H34 Text]

Hoover, Maya Frieman. A Guide to the Latin American Art Song Repertoire: An Annotated Catalogue of Twentieth-Century Art Songs and Piano. Bloomington, IN: Indiana University Press, 2010. [ML128.S3 H85]

King, Stephen A, with contributions by Barry T. Bays III and P. Renée Foster. Reggae, Rastafari, and the Rhetoric of Social Control. Jackson: University Press of Mississippi, 2002. [ML3532 .K55]

Kuss, Malena. "Identity and Change: Nativism in Operas from Argentina, Brazil and Mexico." In Musical Repercussions of 1492: Encounters in Text and Performance, ed. Carol E. Robertson. Washington: Smithsonian Institution Press, 1992. [ML55 .M69317 1992]

Lechner, Ernesto. Rock en Español: The Latin Alternative Rock Explosion. Chicago: Chicago Review Press, 2006. [ML394 .L37]

Leymarie, Isabelle. Cuban Fire: The Saga of Salsa and Latin Jazz. London ; New York: Continuum, 2002. [ML3486.C8 L313]

Lima, Luiz Fernando Nascimento de. Live Samba: Analysis and Interpretation of Brazilian Pagode. Imatra: International Semiotics Institute, 2001. [Music Library ML3417.L5 L5]

Livingston-Isenhour, Tamara Elena. Choro:  A Social History of a Brazilian Popular Music. Bloomington: Indiana University Press, 2005. [ML3487.B7 L6 Text]

Madrid-González, Alejandro. Nor-tec Rifa!: Electronic Dance Music from Tijuana to the World. New York: Oxford University Press, 2008. [ML3540.5 .M33]

Manuel, Peter Lamarche, et al. Caribbean Currents: Caribbean Music from Rumba to Reggae. Philadelphia: Temple University Press, 1995. [ML3565 .M36]

Manuel, Peter Lamarche, et al. Caribbean Currents: Caribbean Music from Rumba to Reggae. Revised and expanded edition. Philadelphia: Temple University Press, 2006. [ML3565 .M36 2006]

Mauleón, Rebeca. Salsa Guidebook: For Piano and Ensemble. Petaluma, Ca.: Sher Music Co., 1993. [MT172 .M45]

Nevin, Jeff. Virtuoso Mariachi. Lanham, Md.: University Press of America, 2002. [Wells Library (Folklore Collection) ML3485 .N48 2002]

Pacini Hernandez, Deborah. Bachata: A Social History of a Dominican Popular Music. Philadelphia: Temple University Press, 1995. [Wells Library, Folklore Collection: ML3486.D65 P3 1995]

Pacini Hernandez, Deborah, Héctor Fernández-L’Hoeste, and Eric Zolov, eds. Rockin’ Las Américas: The Global Politics of Rock in Latin/o America. Pittsburgh, Pa.: University of Pittsburgh Press, 2004. [ML3917.L27 R63]

Pérez de Cuello, Catana & Rafael Solano. El Merengue: música y baile de la República Dominicana. Santo Domingo, República Dominicana: Verizon, 2005. [ML3414 .P47]

Perna, Vincenzo. Timba: the Sound of the Cuban Crisis. Burlington: Ashgate Press, 2005. [ML3486.C8 P48]

Perrone, Charles A. Masters of Contemporary Brazilian Song: MPB, 1965-1985. Austin: University of Texas Press, 1989. [Wells Library (Folklore Collection) ML3487.B7 P5 1989]

Ragland, Cathy. Música Norteña: Mexican Migrants Creating a Nation between Nations. Philadelphia: Temple University Press, 2009. [ML3570.9 .R35]

Rivera, Raquel Z., Wayne Marshall & Deborah Pacini Hernández, eds. Reggaeton. Durham: Duke University Press, 2009. [ML3532.5 .R44 2009]

Roberts, John Storm. Latin Jazz: The First of the Fusions, 1880s to Today. New York: Schirmer Books, 1999. [ML3506 .R62]

Roberts, John Storm. Black Music from Two Worlds: African, Caribbean, Latin, and African-American Traditions. 2d ed. New York: Schirmer Books, 1998. [ML3556 .R645 1998]

Rondón, César Miguel. The Book of Salsa: A Chronicle of Urban Music from the Caribbean to New York City. Chapel Hill: University of North Carolina Press, 2008. [ML3475 .R6613]

Roy, Maya. Cuban Music: From Son and Rumba to The Buena Vista Social Club and Timba Cubana. Translated by Denise Asfar and Gabriel Asfar. Princeton, N.J.: Markus Wiener Publishers; London: Latin American Bureau, 2002. [ML3486.C8 R69]

Salazar Primero, Max. Mambo Kingdom: Latin Music in New York. New York: Schirmer Trade Books, 2002. [ML3411.8.N48 S25]

Sellers, Julie A. Merengue and Dominican Identity: Music as National Unifier. Foreword by Stephen C. Ropp. Jefferson, N.C.: McFarland & Co., 2004. [Wells Library (Folklore Collection) GV1796.M45 S45 2004]

Shaw, Lisa. The Social History of the Brazilian Samba. Aldershot, England: Brookfield, VT: Ashgate, 1999. [Music Library ML3417 .S53]

Sheehy, Daniel H. Mariachi Music in America: Experiencing Music, Expressing Culture. New York: Global Music Series, Oxford University Press, 2005. [ML3485 .S54 Text]           

Simonett, Helena. En Sinaloa nací: Historia de la música de banda. Mazatlán: Asociación de Gestores del Patrimonio Histórico y Cultural de Mazatlán, A.C., 2004. [ML3485.7.S56 S56]

Simonett, Helena. Banda: Mexican Musical Life Across Borders. Middleton, CT: Wesleyan University Press, 2001. [ML3485.7.S56 S55]

Sloat, Susanna, ed. Caribbean Dance from Abakuá to Zouk: How Movement Shapes Identity. Gainesville: University Press of Florida, 2002. [HPER Library GV1631 .C37 2002]

Stevenson, Robert Murrell. Renaissance and Baroque Musical Sources in the Americas. Washington: General Secretariat, Organization of American States, 1970. [ML136.A1 S84]

Steward, Sue. Musica!: The Rhythm of Latin America: Salsa, Rumba, Merengue, and More. San Francisco: Chronicle Books, 1999. [ML3535.5 .S74]

Steward, Sue. Salsa: Musical Heartbeat of Latin America. London: Thames & Hudson, 1999. [ML3535.5 .S74 1999]

Tejada, Darío, ed. El merengue en la cultura dominicana y del Caribe: memorias del Primer Congreso Internacional “Música, Identidad y Cultura en el Caribe.” Santo Domingo: INEC, Instituto de Estudios Caribeños: Secretaría de Estado de Cultura, 2006. [ML3465 .C66 Text]

 Tiemstra, Suzanne Spicer. The Choral Music of Latin America: A Guide to Compositions and Research. New York: Greenwood Press, 1992. [ML128.T55 C6]

Veal, Michael E. Dub: Soundscapes And Shattered Songs In Jamaican Reggae. Middletown, Conn.: Wesleyan University Press, 2007. [Wells Library (Undergraduate Services Core Collection) ML3532 .V43 2007; Neal-Marshall Black Culture Center Library ML3532 .V43 2007]

Vega, Carlos. Estudios para los orígenes del tango argentino. Coriún Aharonián, ed. Buenos Aires: Editorial de la Universidad Católica Argentina, 2007. [GV1796.T3 V38]

Vianna, Hermano. The Mystery of Samba: Popular Music and National Identity in Brazil. Chapel Hill: University of North Carolina Press, 1999. [Main Library Folklore ML3465 .V5313 1999]

Wald, Elijah. Narcocorrido: A Journey into the Music of Drugs, Guns, and Guerrillas. New York, NY: Rayo, 2001. [ML3570 .W35]

Waxer, Lise, ed. Situating Salsa: Global Markets and Local Meanings in Latin Popular Music. New York: Routledge, 2002. [Music Library (Reserves) ML3535.5 .W39]