East Studio Building, JS231
Jeffery Meyer is professor of music in orchestral conducting and cochair of the Department of Orchestral Conducting at the Indiana University Jacobs School of Music, where he has been on faculty since 2023.
Distinguished for insightful performances, visionary programming, and wide-ranging collaborations, he has captivated audiences in the contemporary orchestral scene around the globe. In addition to his work as the Jacobs School, Meyer is artistic partner with the Northwest Sinfonietta, one of the Northwest United States’ most dynamic orchestras.
As artistic director of the St. Petersburg Chamber Philharmonic for two decades, Meyer’s work with the orchestra was noted for its breadth and innovation. The orchestra’s American debut with three performances at Symphony Space’s Wall-to-Wall Festival in New York City was described by The New York Times as “impressive,” “powerful,” “splendid,” and “blazing.” His programming has been awarded multiple prizes, including three ASCAP Awards for Adventurous Programming and two Vytautas Marijosius Memorial Awards in Orchestral Programming.
A champion of contemporary orchestral music, Meyer’s passion to fuse classical tradition with contemporary insight imagines the orchestral experience as a powerful medium for emotion, story, and cultural dialogue, fostering transformative collaborations with composers and performers, as well as multimedia visionaries, activists, and urban artists. His recorded catalogue includes repertoire from the early baroque to the music of our time. His most recent album,Illuminations: Music of Narong Prangcharoen, was released on the Albany Records label in 2023.
Recent projects include a newly developed multimedia performance of Stravinsky’s TheRite of Spring and Petrushka with the Thailand Philharmonic Orchestra and a world-premiere choreography of Petrushka in collaboration with the Jacobs School of Music Ballet Department; the world premiere of Carlos Simon’s Graffiti performed and recorded alongside internationally renowned graffiti artists; a theatrical symphonic concert focused on themes of social justice developed in collaboration with Daniel Bernard Roumain and Marc Bamuthi Joseph; the world- premiere recording of Laura Kaminsky’s Piano Concerto with pianist Ursula Oppens; a new, semi-staged production of Nkeiru Okoye’s Invitation to a Die-In; and multiple collaborations with the American Composers Orchestra’s EarShot program.
Recent and upcoming engagements include appearances with the City Chamber Orchestra of Hong Kong with soprano Dawn Upshaw, the Sichuan Symphony, Xalapa Symphony Orchestra, Orquesta Juvenil Universitaria Eduardo Mata, Texas Festival Orchestra at Round Top, and the Grossman Ensemble in Chicago.
Meyer’s commitment to the innovative future of classical music positions him as a sought-after educator and mentor. His guidance extends beyond technique, diving into the philosophy and intricacies of civic leadership in today’s evolving cultural scene.
Prior to his appointment at the Jacobs School of Music, he led the acclaimed orchestral programs at Arizona State University and Ithaca College. He has given master classes throughout the United States as well as in Canada, Europe, and Asia and has led conducting master classes at the Central Conservatory in Beijing, China, Tianjin Conservatory, the Universität für Musik und Darstellende Kunst in Vienna, and the Rimsky-Korsakov Conservatory in St. Petersburg, Russia.
Meyer holds degrees in piano as well as composition and completed his Doctor of Musical Arts in Piano Performance with Gilbert Kalish at the State University of New York at Stony Brook.