Guitar

Two contrasting movements by J. S. Bach chosen from suites, sonatas, or partitas for lute, cello, violin, or flute, including Prelude, Fugue, and Allegro for lute, BWV 998

One selection from the following:

• Mauro Giuliani: Variations, Op. 38; Grande Ouverture, Op. 61; Variations, Op. 105; Variations, Op. 107; Sei grandi variazioni, Op. 112; Le Rossiniane, Opp. 119-124; Giulianate, Op. 148; Gran sonata eroica, Op. 150
• Nicolò Paganini: Grand Sonata in A, arr. for guitar solo
• Fernando Sor: Introduction and variations on a theme by Mozart, Op. 9; Grand solo, Op. 14; Sonata, Op. 15b; Grande sonate, Op. 22; Deuxième grande sonate, Op. 25; Introduction and Variations, Op. 26; Introduction and Variations, Op. 28; Septième fantaisie et variations brillantes, Op. 30; Fantaisie sur un air favori ecossaise, Op. 40; Fantaisie élégiaque, Op. 59

Two works by different composers, selected from the following:

• Antón Garcia Abril: Evocaciones, Sonata del pórtico
• Isaac Albéniz: Asturias, Cadiz, Córdoba, Granada, Malagueña, Mallorca, Rumore de la caleta, Sevilla, Torre Bermeja
• Vicente Asencio: Collectici intim, Suite valenciana
• Richard Rodney Bennett: Impromptus
• Lennox Berkeley: Sonatina, Theme and Variations
• Benjamin Britten: Nocturnal
• Leo Brouwer: El decameron negro, Elogio de la danza, Hika, Sonata
• Mario Castelnuovo: Tedesco, Capriccio diabólico, Sonata, Tarantella
• Stephen Dodgson: Fantasy-Divisions, Partita
• John W. Duarte: Americana
• Roland Dyens: Libra sonatine, Saudade No. 3
• Manuel de Falla: Homenaje para Le tombeau de Debussy
• Angelo Gilardino: Studi di virtuosità e di trascendenza, Tenebrae factae sunt
• Alberto Ginastera: Sonata
• Enrique Granados: Danzas españolos, 5-11, La maja de Goya
• Hans Werner Henze: 3 tientos
• Antonio Jose: Sonata
• Frank Martin: Quatre pièces brèves
• Federico Mompou: Suite compostelana
• Federico Moreno Torroba: Castillos de España, Nocturno, Pièces caractéristiques, Sonatina, Suite castellana
• Juan Orrego Salas: Esquinas
• Goffredo Petrassi: Suoni notturni
• Astor Piazzolla: Four Pieces
• Manuel Ponce: Sonata clásica, Sonata mexicana, Sonata romántica, Sonata III, Sonatina meridional, Thème varié et finale, Variations sur "Folia de España" et fugue
• Joaquín Rodrigo: En los trigales, Invocation et danse, Sonata a la española, Tres piezas españolas
• Antonio Ruiz Pipo: Cancion y danza No. 1
• Toru Takemitsu: All in Twilight, Folios
• Alexandre Tansman: Cavatina
• Joaquín Turina: Fandanguillo, Hommage à Tarrega, Sevillana, Sonata
• Heitor Villa-Lobos: Chôros No. 1, 12 Etudes, 5 Preludes, Suite populaire brésiliene
• William Walton: Five Bagatelles

If you are unable to attend one of the live audition weekends, you may submit a final audition video recording via the JSOM Supplemental Application. Final audition recordings are due by February 15.

Please indicate on your JSOM Supplemental application that you wish to audition via final video recording and make sure to submit the Supplemental application by December 1. You can upload your audition materials upon submission or upload your audition materials after your application has been submitted.

Note: Your program application requires a media upload to submit. Please upload a PDF with your name and "Final Recorded Audition" to submit your application, then write to musicadm@iu.edu to request that your application be reopened. Once your application has been reopened, select "Upload Media" under the Action column and click on "Add Media File" to upload and submit your materials.

For applicants who cannot make one of the audition weekends but would like to audition in person, an ad hoc audition may be arranged upon department approval. Please email musicadm@iu.edu to request an ad hoc audition. If approved, you must reach out to the faculty or department chair directly to arrange a date and time. All required application materials must be submitted by the deadline in order for arrangements to be made.