The Jacobs Faculty Bookshelf
This page serves as a listing of publications by Jacobs School of Music faculty. Click on an item to view available purchasing options as well as its availability on the IU Library Catalog.
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Dana Marsh , Trevor Weston, Washington Bach Consort
Myths Contested explores enduring ideals, both of and about art—as well as notions of aesthetic value, culture, and representation. Bach’s secular The Contest between Phoebus and Pan, featuring librettist Picander’s remix of Ovid’s Metamorphoses, is paired with Trevor Weston’s A New Song—a timely modern companion to Bach’s dramma per musica.
In celebration of the 100 anniversary of Rhapsody in Blue composed in 1924 and Concerto in F composed in 1925.
NOTUS: Of Radiance and Refraction
Dominick DiOrio , Konrad Strauss , D. James Tagg
Of Radiance and Refraction, NOTUS' debut album, demonstrates the wealth of talent found in the student ensemble led by Dominick DiOrio, as well as the remarkable works written for them by composition teachers at the Indiana University Jacobs School of Music: Aaron Travers, John Gibson, Claude Baker, and Sven-David Sandström. Also featuring Zorá String Quartet.
Polish Jewish Culture Beyond the Capital: Centering the Periphery
Halina Goldberg , Nancy Sinkoff, Natalia Aleksiun, Zehavit Stern, Justin Cammy
Polish Jewish Culture Beyond the Capital: Centering the Periphery is a path-breaking exploration of the diversity and vitality of urban Jewish identity and culture in Polish lands from the second half of the nineteenth century to the outbreak of the Second World War (1899-1939). In this multidisciplinary essay collection, a cohort of international scholars provides an integrated history of the arts and humanities in Poland by illuminating the complex roles Jews in urban centers other than Warsaw played in the creation of Polish and Polish Jewish culture.
Project Cadenzas: An Intercultural Journey
Drawn from a variety of live performances, this recording reflects the musical pastiche that defines Project Cadenzas, a creative fieldwork and collaboration that brings together the richness of Baroque art music and the traditional cultural expression of Taiwan, in an effort to showcase artistic expression and creative improvisation while also reflecting social-cultural contexts. Project Cadenzas: An Intercultural Journey is a collection from numerous live concerts on improvisational topics, which were successfully performed using ethnic Taiwanese instruments, traditional Chinese instruments, and Western instruments (harpsichord). Cross-cultural collaborative partners include the Graduate Institute of Musicology at National Taiwan University (NTU), the Graduate Institute of Ethnomusicology at National Taiwan Normal University (NTNU), and the Chinese Music Department at Tainan National University of the Arts (TNNUA), offering new perspectives for viewing the artistic riches of the participating cultural traditions.
Resonant Recoveries: French Music and Trauma Between the World Wars
Coping with trauma and the losses of World War I was a central concern for French musicians in the interwar period. Almost all of them were deeply affected by the war as they fought in the trenches, worked in military hospitals, or mourned a friend or relative who had been wounded, killed, or taken prisoner. In Resonant Recoveries, author Jillian C. Rogers argues that French modernist composers processed this experience of unprecedented violence by turning their musical activities into locations for managing and performing trauma. When musicians and their audiences used music to remember lost loved ones, perform grief, create healing bonds of friendship, and find consolation in soothing sonic vibrations and rhythmic bodily movements, they reconfigured music into an embodied means of consolation--a healer of wounded minds and bodies. This in-depth account of the profound impact that postwar trauma had on French musical life makes a powerful case for the importance of addressing trauma, mourning, and people's emotional lives in music scholarship.
Shostakovich Violin Sonata and 24 Preludes for Violin and Piano
Grigory Kalinovsky , Tatiana Goncharova
Dmitri Shostakovich: Violin Sonata Op. 134 and 24 Preludes, Op. 34 for Violin and Piano
Joseph Gramley , Yo-Yo Ma, Silk Road Ensemble
This 2016 album from Yo-Yo Ma & the Silk Road Ensemble will surprise and delight with imaginative sounds that transform the traditional musical landscape. Sing Me Home is the sixth album by the Grammy-nominated Silk Road Ensemble and it's founding member and guiding light, Yo-Yo Ma. The album features special guest performers Rhiannon Giddens, Sarah Jarosz, Abagail Washburn, Gregory Porter, Lisa Fischer, Grammy Award-winning jazz guitarist, Bill Frisell and more. Produced by Silk Road Ensemble member Johnny Gandelsman and Grammy Award winner Kevin Killen (U2, Kate Bush, Elvis Costello, David Bowie), Sing Me Home examines the ever-changing idea of home, with original and traditional tunes composed or arranged by members of the Ensemble's unique collective of global artists.
Guide to the Solo Horn Repertoire
Richard Seraphinoff , Linda Dempf
This comprehensive, annotated resource of solo repertoire for the horn documents in detail the rich catalogue of original solo compositions for the instrument. Intended as a guide for practical use and easy reference, it is organized into three large sections: works for unaccompanied horn, works for horn and keyboard, and works for horn and ensemble. Each entry includes publisher information, a brief description of the form and character of a work, technical details of the horn writing, and information on dedication and premiere. The authors also include commentary on the various techniques required and the performance challenges of each piece. Representing over ten years of careful compilation and notation by an expert in horn performance and pedagogy, and by a seasoned music librarian and natural horn performer, Guide to the Solo Horn Repertoire will be an invaluable resource for performers, educators, and composers.
Pacifica Quartet , Sharon Isbin
The Grammy Award-winning Pacifica Quartet and multiple Grammy-winning guitarist Sharon Isbin join forces for an uncommon album of music for strings and guitar from the Baroque to the mid-20th century. The program spotlights Italian-born composers influenced by Spanish idioms. Mario Castelnuovo-Tedesco’s Quintet for Guitar and String Quartet, Op. 143, is a seldom-heard gem demanding virtuosity from every player. Written for guitarist Andrés Segovia, it’s “an urbane work, rich in vibrant themes and dialogues among individual lines,” critic Allan Kozinn writes in the liner notes. Isbin and the Pacifica play Emilio Pujol’s guitar arrangement of Antonio Vivaldi’s lute Concerto in D Major, RV 93. Isbin’s guitar work in the dreamlike, meditative Largo movement features her own Baroque ornamentation. Luigi Boccherini’s Quintet for Guitar and String Quartet in D Major, G. 448, melds the emerging classical style of late 18th-century Vienna with hints of Spanish flamenco. Spanish composer Joaquín Turina’s string quartet movement, La Oración del Torero, Op. 34, evokes the fervor of a matador’s private prayer before entering the bullring.