Jazz Studies

Guest Artists

Spring 2018 Guest Artists

Roger Treece



Roger Treece is a composer, arranger, producer, and singer who creates music that combines traditional classical elements with jazz, funk, gospel, and world. A vocal innovator, Roger tours worldwide as a performance artist, composer, conductor and teacher, guiding musicians of all ages and genres in improvisation, creativity, harmony, arranging, rhythm, and solo-vocal technique.

He has composed for the Chicago Symphony Orchestra, The United Arab Emirates Ministry of Culture, Danish Radio Symphony and Choir, Los Angeles Master Chorale and Chicago Children’s Choir. His film and television credits include music for the Discovery Channel, Disneyworld, Microsoft, McDonalds, ABC and The United Way, and he is author and singer of hundreds of commercials.

Roger Treece has been nominated for 5 Grammy Awards as an arranger, producer, singer, and engineer, and has won 14 DOWNBEAT awards as a soloist, ensemble member, director and arranger. In 2010, his arrangement of "Baby" (VOCAbuLarieS) was nominated for "Best Instrumental Arrangement Accompanying Vocals" : the first time in the history of the Grammy Awards that an a cappella arrangement has been nominated for an instrumental arranging award.

He has won numerous awards for his educational music for children, including a First Place at the Hollywood Film Festival (for his score to Through the Woods) and two PARENT’S CHOICE awards.

Roger also judges the Vocal Jazz category for the DOWNBEAT MAGAZINE Student Recording Awards.

Since 1983, Roger has produced and/or arranged over 40 record albums for artists such as Josh Groban, The Manhattan Transfer, Bobby McFerrin, Katharine McPhee, Barry Manilow, Mark Murphy, Brian Bromberg, The King’s Singers, rapper Z-Trip and others.

Most recently, Roger Treece was associate producer, arranger and singer on Josh Groban’s #1 selling album, ALL THAT ECHOES. Roger is also the mastermind behind Bobby McFerrin’s ground-breaking release VOCAbuLarieS, a collection of seven extended choral works, hailed as “a masterpiece,” “the future of choral music,” and “a new standard for choral recording."

Colin Stranahan - drums, Gilad Hekselman - guitar
with Professor John Raymond's group Real Feels



Recently voted as a Rising Star Trumpeter in the Downbeat Magazine Critic's Poll, John Raymond has been making a name for himself as one of the most promising, up-and-coming jazz musicians in the world. Originally from Minneapolis, MN, John has performed with some of the most well-respected names in jazz including Billy Hart, Orrin Evans, Kurt Rosenwinkel, and Linda Oh among others. His latest album "Real Feels" was released to widespread acclaim, including a ★★★★1/2 Downbeat review as well being named one of the Best Jazz Albums of 2016 by Stereogum.

John Raymond's trio, Real Feels, is a unique band that includes rising stars Gilad Hekselman (guitar) and Colin Stranahan (drums). With a unique flugelhorn/guitar/drums instrumentation, the group combines indie-rock and folk-influenced original music with fresh takes on familiar songs by artists like Bob Dylan, Paul Simon, Bon Iver, Lennon/McCartney and more. The music undoubtedly evokes a nostalgia for the past, however "Real Feels" is far from being antiquated. The band's improvisational, free-wheeling, keep-you-on-the-edge-of-your-seat kind of approach to the music makes the songs feel entirely relevant and has made them one of the hottest new groups in jazz music today.

The group released two albums in 2016, both garnering critical acclaim from Downbeat Magazine, the New York Times, JazzTimes and others. This visit celebrates the release of Raymond's newest Real Feels album, Joy Ride, which will be released on February 9 on Sunnyside Records.

John Beasley

John Beasley


Born in Louisiana, the cradle of jazz, Beasley started writing arrangements in junior high school, the first one for the University of North Texas Jazz Band. Jimmy Lyons, founder of the Monterey Jazz Festival, heard Beasley’s piece and recommended him for a scholarship at the Stan Kenton summer jazz camp. The song was then added to The Stan Kenton Orchestra’s repertoire that year.

Beasley is a third generation musician. His father is a bassoonist, pianist, and composer. His mother was a brass instrumentalist, band conductor and orchestrator. His grandfather was a trombonist. Growing up around musicians, John learned how to play trumpet, oboe, drums, saxophone, and flute, mostly because of his mother’s need for wind instrumentalists for her bands.

Declining an oboe scholarship from the Julliard, at 17, Beasley instead started playing in clubs before he was of legal drinking age. Soon after, he went on his first world tour with Brazilian artist Sergio Mendes, then spent eight years with jazz icon Freddie Hubbard, while keeping up with his garage band Audio Mind with Vinnie Colauita, John Patittucci, and Steve Taviglione.

At the young age of 24, Beasley started writing music for Paramount, Disney, and MGM’s television shows, including Cheers, Family Ties, Star Trek, and Fame. He wrote the Touchstone TV logo, which is still used today. As a studio musician, he has worked for luminaries such as Thomas Newman, Dave Gruisin, Alan Silvestri, and Carmine Coppola. Today, he is part of Thomas Newman’s core team creating drum and synth programming for James Bond Spectre + Skyfall, He called me Malala, Get on Up: James Brown bio pic, Exotic Marigold Hotel, Finding Nemo, and Wall-E, to name a few.

He writes music for Nobel Peace Prize winning Doctors Without Borders’ videos pro bono. Along the way, Beasley has written award-winning commercials for ad agencies in the US and Germany for over 20 years.

At 28, Beasley got the phone call of a lifetime from Miles Davis to join his band. While on tour with Miles, he was inspired to release his first CD, Cauldron, which was produced by Steely Dan’s Walter Becker. His Positootly! album earned a 2011 Grammy nomination for Best Jazz Instrumental Record. In 2012, he joined forces with two other Miles Davis alumni, Darryl Jones (Rolling Stones bassist) and the signature drummer for Michael Jacksons Billie Jean, Ndugu Chancler to form 3 Brave Souls. This triumvirate wrote, as one reviewer said, some “tangy, ass-wiggling funk.”

Long a dream, Beasley formed a 15 piece big band called MONK’estra, capturing the spirit of Monk’s unique quirkiness, offbeat accents, punchy dissonances, in fresh arrangements of Monk’s and other classic and original compositions. ?Veteran jazz critic Don Heckman described Beasley’s big band and his talent as “some of the most mesmerizing big band music of recent memory …extraordinary orchestrating abilities, imaginative soloing from players.” MONK’estra has played to standing ovation at SFJazz, Walt Disney Hall, Ford Amphitheatre, Jazz Standard, LACMA. Mack Avenue has released MONK’estra Vol 1 Aug 2016 with Vol 2 due out in 2017 – Thelonious Monk’s Centennial year.

Ryan Keberle and Catharsis
Ryan Keberle, Scott Robinson, Camila Meza, Matt Clohesy and Eric Doob



Few musicians have managed to navigate the richly varied avenues of New York City's abundant music scene with the same passion and adaptability as trombonist and composer Ryan Keberle. Since his arrival in 1999, Keberle's diverse talents have earned him a place alongside a staggering array of legends, superstars, and up-and-coming innovators.

Leading his piano less quartet Catharsis or arranging for the little big band setting of his Double Quartet, Keberle draws upon lessons learned playing alongside masters of a multitude of forms, from jazz legends to indie rock ground-breakers, R&B superstars to classical virtuosos. He has toured with the acclaimed indie rock songwriter Sufjan Stevens and with the ground-breaking big bands of Maria Schneider and Darcy james Argue; he has accompanied soul hitmakers Alicia Keys and justin Timberlake as well as jazz legends Rufus Reid and Wynton Marsalis; he's been heard on movie sound tracks for filmmakers like Woody Allen and in the pit for the Tony-winning Broadway musical "In the Heights." Keberle's own music integrates those wide-ranging experiences into a highly personal jazz language that pays heed to tradition while searching out fresh and original pathways.

Born and raised in Spokane, Washington, Keberle was surrounded by music from an early age. Both of his parents were music educators, his father a jazz trumpeter and professor at Spokane's Whitworth University, his mother a piano teacher and longtime chu rch music director. Keberle started out by studying classical violin and piano before adopting the trombone as his primary instrument; classical music rema ins one of the many components of his arsenal, as he continues to perform with brass chamber ensembles. He also followed in his mother'S footsteps, serving as music director at a Manhattan Catholic church for several years.

Keberle moved east to study at the Manhattan School of Music, where he came under the tutelage of renowned trombonist Steve Turre, as well as composers Mike Abene and Manny Album. He was the sole member of his graduating class chosen to receive the William H. Borden Aware for musical excellence in jazz. In May 2003 Keberle became a member of jazz at juilliard's first graduating class, having studied with Wycliffe Gordon and David Berger, whose big band he has worked with over the ensuing years.

In 2007 Keberle released the self-titled debut of his Double Quartet, a ma lleable, brass-heavy octet that showcased his deft composing and arranging skills. The band's second disc, Heavy Dreaming, was released in 2010 and garnered rave reviews and slots on year-end lists from magazines like jazzTimes and Stereoph ile.

Early 2012 marked the debut of Keberle's latest group, the pianoless quartet Catharsis, comprising some of the music's most compelling young voices: Mike Rodriguez (trumpet), jorge Roeder (bass), and Eric Doob (drums). Keberle's writing for the band reveals his more melodic and emotional side on pieces driven by groove, the blues, and Latin jazz, with which all four members have extensive experience. Keberle has worked with the Pedro Giraudo jazz Orchestra and with Brazilian superstar Ivan Lins, and was named Latin jazz trombonist of the year by the Latin jazz Corner website in 2008 and 2009.

Both his own compositions and his arrangements of works by other composers evidence Keberle's expansive tastes, which encompass Duke Ellington, The Beatles, Sufjan Stevens, and Ravel, among countless others. His work in the indie rock world, including a world tour with Stevens, has provided the newest fork in what has been an unpredictable career. It has also afforded him the chance to return to the piano, as he has with the singer/songwriter Nedelle Torrisi of the band Cryptacize. But he has also performed with the Saturday Night Live House band and with "Family Guy" creator Seth MacFarlane. His music has taken him to venues across the globe, throughout Asia, Australia, Europe, and North and South America.

The sum of these eclectic travels is the distinctive, original voice of Ryan Keberle. Whether performing in anyone of these vastly different contexts or leading his own band, Keberle continues to evolve into one of the most intriguing and vital musicians of his generation.

Kevin Axt and Ray Brinker:
Members of the Tierney Sutton Group



Ray Brinker is an alumnus of the heralded North Texas State University’s (now University of North Texas) Jazz Studies program, and performed as a member of NTSU’s Grammy-nominated 1 O’Clock Lab Band. Upon graduation, Ray toured worldwide with jazz high-note trumpet player Maynard Ferguson before moving to the west coast, where he has become a staple in the Los Angeles studio scene.

Ray’s performing and recording credits feature a diverse roster of artists, including Pat Benatar, Joe Cocker, David Lee Roth, Cinderella, Woody Herman, Brian Setzer, Jack Sheldon, Anita O’Day, Diane Shure, Randy Brecker, Mitch Forman, Chris Walden Big Band, Wayne Bergeron Big Band, Frank Gambale, Gordon Goodwin’s Big Phat Band, Christian Jacob Trio, Tom Kubis Big Band, Veronique Sanson, Ray Charles, and countless others. Recently Ray recorded Ray Charles’ 8-time Grammy Award-winning “Genius Loves Company” CD, featuring James Taylor, Norah Jones, Bonnie Raitt, Natalie Cole, Michael McDonald, Johnny Mathis, Dianna Krall, and others, as well as the soundtrack for the movie “Ray”, the Ray Charles story.

Other film credits include Shrek, Chicken Run, Dear God, The Alamo, Brother Bear, Lilo & Stitch, Pluto Nash, Assault On Precinct 13, and Ray is heard on countless TV credits.

Ray has performed as a founding member, drummer, and co-arranger for the Tierney Sutton Band for 14 years, including 8 CDs and a Grammy Nomination for “I’m With The Band”, the band’s first live recording, recorded at New York’s famous Birdland jazz club. He is a proud endorser of Yamaha Drums, Zildjian Cymbals, and Vic Firth drumsticks.

Kevin Axt was born in Burbank and has been a freelance musician in LA since 1982. He began studying classical guitar at the age of 13, later adding tuba, electric bass and finally string bass to his instrumental arsenal by his late teens. He attended USC on an orchestral scholarship studying string bass with LA Phil co-principal bassist, Dennis Trembley. He has performed, recorded and toured with artists as diverse as Natalie Cole, Jack McDuff, Jimmy Smith, Hank Jones, Phil Woods, Lalo Schifrin, Shelby Lynne, Queen Latifah, Placido Domingo, Pat Williams, Russell Watson, Patti Austin, Bobby Shew, Chuck Mangione, Bernadette Peters, Cristian Castro, Lea Salonga, KD Lang, Dave Koz, The Tierney Sutton Band, David Benoit, Bob Florence, Mitch Forman and Chuck Loeb, Robben Ford, Jack Sheldon, Etta James, James Moody, Christopher Cross, Cheryl Bentyne, Alan and Marilyn Bergman, Glenn Frey, and Melissa Manchester to name just a few. Kevin has performed on over 150 albums and has performed bass in dozens of theater, film and television productions. Kevin has played on projects that have garnered a total of 12 Grammy nominations. He also received a Grammy Nomination in 2012 as a co-arranger in the Best Arrangement Accompanying A Vocal category.

Becca Stevens



Always reaching, always expanding, Becca Stevens reinvents herself once again with Regina. In the years since the release of her critically acclaimed third album, Perfect Animal, Stevens has undertaken a journey that began with a study of Queen Elizabeth I as inspiration for a commission to write a concert of new music, which expanded into tributes to various queens from history, literature, folklore, and her own imagination, songs inspired by the regal and divine, and finally Regina as a voice, like a trusted friend or an alter ego.

As for her muse for the album, Stevens explains, “Regina is like an alter ego, or an imaginary friend. Like a dream, she exists separate from me but is reliant upon my consciousness to exist. I carry her with me in everything now. So I guess you could say that neither ends; in Becca, there is always Regina, and in Regina, there is always Becca.”

Produced by Troy Miller, Regina features creative and performance collaborations with Snarky Puppy’s Michael League, Jacob Collier, Laura Mvula, and the legendary David Crosby. The album was recorded in several phases – in London with Miller, a second London session with Collier (a co-producer on the album along with Stevens and League), a session with Miller in Brooklyn, NY, a session with League in Brooklyn and a final session with League and Stevens’ bandmates in Brooklyn as well. Additional collaborators include Alan Hampton, Jo Lawry and the award-winning Attacca String Quartet as well as Stevens’ trusted band members Liam Robinson, Chris Tordini, and Jordan Perlson (performing here).

The New York Times, describes Stevens as ‘a best-kept secret’ and ‘impressively absorbing’. She has recently featured on Snarky Puppy’s new Family Dinner Volume 2 as well as collaborating with various artists such as Esperanza Spalding, Brad Mehldau, Jose James, and recently on David Crosby’s new tour Lighthouse.

Stevens style has always evaded categorization, and with Regina, even more so. One hears pop, rock, R&B and funk side-by-side with traditional Appalachian and British folk, classical, world music, and jazz. Intricate instrumentation and rhythms seamlessly intertwine with vocals and melodies that work their way into your brain. Stevens has been compared to Bjork, St Vincent, Tori Amos and Joni Mitchell and is certainly making her mark on the international music scene in a big way, establishing herself as a long term and important artist for the future.

Tamir Handleman



Award-winning jazz pianist Tamir Hendelman has performed with the Jeff Hamilton Trio, the Clayton-Hamilton Jazz Orchestra, Harry Allen, Teddy Edwards, Warren Vache, Houston Person, Jeff Clayton, Nick Brignola, Phil Upchurch, Rickey Woodard, John Clayton and Barbara Morrison. He also leads his own trio and his debut CD "Playground" features him in this trio setting.

Beginning his keyboard studies at age 6 in Tel Aviv, Tamir moved to the US at age 12 in 1984, winning Yamaha's national keyboard competition 2 years later at age 14. Concerts in Japan and the Kennedy Center followed.

Tamir then studied at the Tanglewood Institute in 1988 and received a Bachelor of Music Composition degree from Eastman School of Music in 1993. He then became the youngest musical director for Lovewell Institute, a national arts education non-profit organization.

Since returning to LA in 1996, Tamir has been in steady demand as pianist and arranger, touring the US, Europe and Asia, and receiving awards from ASCAP and National Foundation For Advancement in the Arts. In 1999 Tamir was a guest soloist with the Henry Mancini Institute Orchestra.

Tamir joined the Jeff Hamilton Trio in 2000, contributing arrangements, recording and touring Japan, Europe and the US. In 2001 he became a member of the Clayton-Hamilton Jazz Orchestra, with whom he premiered John Clayton's new orchestration of Oscar Peterson's Canadiana Suite in the Hollywood Bowl in 2001. In 2002 he also toured Europe with Tierney Sutton and the Bill Holman Big Band. Tamir musically directed Julia Migenes' s "Alter Ego" and played/arranged on Roberta Gambarini's "Easy To Love."

With the CHJO, Tamir has recorded for John Pizzarelli, Gladys Knight and Diana Krall. He is the pianist/arranger on Jackie Ryan's "You and the Night and the Music" and Janis Mann's "A Perfect Time." He is also featured on Natalie Cole's "Still Unforgettable" and Barbara Streisand's upcoming recording.

Tamir’s musical travels have taken him from Alaska to New York, and Thailand to Israel. In his own trio, he explores standards, Brazilian music, blues and his Israeli roots. Tamir’s debut CD Playground (2008) was released in Japan on the Swing Bros. label and was released in the U.S. in December 2008 on CDBaby.com. Tamir is a Resonance Records artist.

Adam Nussbaum



Adam Nussbaum is considered one of the finest drummers working today. He's played with a virtual "Who's Who" in the jazz world. Longtime associates have included: John Abercrombie, Michael & Randy Brecker, Eliane Elias, Gil Evans, Stan Getz, Vic Juris, James Moody, John Scofield, Joe Sample, Ohad Talmor, ‘Toots' Thielemans, Kenny Wheeler & NHØP, as well as freelancing with prominent artists of every generation, being a major asset no matter where he appears.

Nussbaum has joined forces with other musicians to form such groups as “BANN” w/Seamus Blake, Jay Anderson & Oz Noy, “We3” w/Dave Liebman & Steve Swallow, "The Impossible Gentlemen" w/Gwilym Simcock, Steve Rodby & Mike Walker, “The Nuttree Quartet" w/John Abercrombie, Jerry Bergonzi & Gary Versace and "The ZZ Quartet w/Ratko Zjaca, Simone Zanchini & Martin Gjakanovski.

He's been on hundreds of recordings, including the Grammy winning "Don't Try This At Home” recorded with Michael Brecker.

In addition, Nussbaum reaches out to the next generation. He is an in-demand educator doing Clinics and Master Classes, teaching at such institutions as Berklee, NYU, State University of New York, the New School, and at numerous Conservatories around the world.

His abilities have brought opportunities for him to work with the finest makers of all things drum-related. Working with Sonor drums, he helped design a line in the “HiLite” series. In conjunction with Zildjian cymbals, Nussbaum helped developed the “Renaissance” & "Pre-Aged” K. Zildjian cymbals. He also coproduced with Hudson Music, "The Art of Playing Brushes."

He was born in New York City and grew up in Norwalk, Connecticut and started to play drums at age 12 after studying piano for five years; he also playing bass and saxophone as a teenager. He moved to New York City in 1975 to attend The Davis Center for Performing Arts at City College. He eventually settled on drums….

Spring 2017 Guest Artists

Todd Coolman

Todd Coolman

Two-time Grammy award-winning bassist Todd Coolman is among the more in-demand musicians on the New York music scene today. As a leader, he has released three acclaimed recordings: Tomorrows, Lexicon, and Perfect Strangers, and has authored two books: The Bass Tradition and The Bottom Line. Since moving to New York in 1978, he has performed and recorded with a virtual “who’s who” of jazz masters including Horace Silver, Gerry Mulligan, Stan Getz, Benny Golson, Art Farmer, Tommy Flanagan, Ahmad Jamal, Lionel Hampton, Benny Goodman, the Carnegie Hall Jazz Band and numerous others. Coolman enjoyed a 25-year stint, touring and recording with the James Moody Quartet. Currently, he continues to perform with an impressive array of artists including trumpeter Jon Faddis and pianist Renee Rosnes.

In addition to his busy performing schedule, Todd Coolman is a Professor of Music in the Jazz Studies Program in the Conservatory of Music at Purchase College (SUNY), a program he formerly directed for 10 years. He was selected for the 2001-2003 Doris and Karl Kempner Distinguished Professorship at Purchase and has received the SUNY Chancellor’s Award for Excellence in Teaching. In 2011, he was appointed Director of the Skidmore Jazz Institute. Coolman is also in demand as a clinician and lecturer at universities throughout the world, and is frequently sought after as a writing and research consultant for jazz history and liner-note projects. He received his Ph.D. in Music from New York University in 1997.

J.B. Dyas

J.B. Dyas

Bassist JB Dyas has been involved in jazz education for the past three decades. Throughout his career, Dyas has performed across the country, taught students at every level, directed large and small ensembles, developed and implemented new jazz curricula, and written for national music publications. He has presented numerous jazz clinics, teacher training seminars, and other jazz education events nationwide with such artists as Dave Brubeck and Herbie Hancock, and is a recipient of the Down Beat Achievement Award for Jazz Education. Dyas received his master’s degree in jazz pedagogy from the University of Miami and his PhD in music education from Indiana University.

Marquis Hill

Marquis Hill

Music captured and cultivated Hill’s powerful imagination from very early on. While growing up in the Chatham neighborhood on Chicago’s South Side, he began playing drums in the forth grade but was soon wooed toward trumpet by his older cousin's practicing of the instrument. His introduction to jazz, fifth grade, was via attendance at Dixon Elementary. The school’s band director Diane Ellis gave him a Lee Morgan album, quickly igniting and lighting a strategic young pilgrimage. “I praise her a lot,” says Hill. “I listened to that Lee Morgan record and had my mind blown. Since that moment I’ve just been in love with this music.”

The next year, Hill met another musical educator who would have a profound influence – Ronald Carter. In addition to being the jazz director for Northern Illinois University, Carter also ran the South Shore Youth Program, a youth organization that took inner-city kids and paid them every two weeks to rehearse in a big band for five days a week and hold weekly concerts. Carter made such an indelible impression that he inspired Hill to attend Northern Illinois University (NIU) after attending Kenwood Academy High School. Hill graduated from the NIU in 2009 with a Bachelor of Arts in Music Education.

Hill’s formal musical education continued at DePaul University’s School of Music, where he earned a graduate degree in jazz pedagogy. Even as a recording artist, leading his Blacktet and appearing on recordings by such Chicago-based artists as singer Milton Suggs, saxophonist Ernest Dawkins, and bassist Matt Ulery, Hill maintained his involvement in music education by teaching at the University of Illinois in Chicago, Harold Washington College, the Birch Creek Music Performance Center in Egg Harbor, Wis., and the NIU Summer Jazz Camp.

In 2014, Hill moved to New York while still making numerous appearances in Chicago. Focusing on his solo career is paramount, but he’s still making waves as a sideman for internationally acclaimed artists such as bassist Marcus Miller and saxophonist Joe Lovano. Two years after winning the Monk Competition, Hill says that he’s still on cloud nine. “Winning that competition taught me to trust myself and keep working hard for what I believe in,” he says. “That experience taught me that I’m here for a purpose. So I need to keep pushing my music forward.”

Jared Gold

Jared Gold

Organist Jared Gold's emergence as one of the New York area's most in-demand musicians comes from years of dedication and respect to his instrument. With such notable influences as Larry Young , Jack McDuff, and Don Patterson to draw upon as a foundation, the emphasis on finding his own voice has now clearly taken precedence and required Gold to construct his own unique philosophy based on extending harmony and solidifying the groove.

With the powerful combination of his obvious talent, the blessings of an affable personality and his unbelievable versatility and musicianship on the bandstand, Gold has been provided with the opportunity to work with many established veterans and can be seen performing regularly with his own group and appearing steadily alongside in the working groups and recordings of John Abercrombie, Dave Stryker, Oliver Lake, Ralph Bowen and David Gibson.

Gold, a New Jersey native and graduate of William Patterson University's Jazz Program, keeps a busy schedule of domestic and international tours, but can still be found in playing organ on the weekends in local New Jersey churches and running his self-started company, JG3 Tech, where Gold builds folding portable midi organs and ultra-lightweight portable midi bass pedals. (www.jg3tech.com)

Ingrid Jensen

Ingrid Jensen

Born in Vancouver and raised in Nanaimo, British Columbia, Ingrid Jensen has been hailed as one of the most gifted trumpeters of her generation. After graduating from Berklee College of Music in 1989, she recorded three highly acclaimed CDs for the ENJA record label, soon becoming one of the most in-demand trumpet players in the global jazz scene. After a teaching stint in Europe in her early twenties (as the youngest professor in the history of the Bruckner Conservatory in Linz, Austria), Ingrid settled in New York City in the mid-1990s where she joined the innovative jazz orchestras of Maria Schneider and Darcy James Argue.

Ingrid is also a dedicated jazz educator. She has taught trumpet at the University of Michigan and Peabody Conservatory, performed and lectured as a guest artist with the Thelonious Monk Institute High School group featuring Herbie Hancock, The Centrum Jazz Workshop, The Dave Brubeck Institute, the Banff Centre Workshop in Jazz & Creative Music, Geri Allen's All-Female Jazz Residency and the Stanford Jazz Camp, to name a few.

Ingrid’s most recent release, an electric project (Kind of New) with keyboardist Jason Miles, has garnered rave reviews globally and has led to recent collaborations with Joe Lovano and Lionel Loueke. Other projects Ingrid has been invited to lend her voice to include: David’s Angels (Sweden), Kari Ikonen (Finland), Marianne Trudel (Montreal), Ellen Rowe (USA), Adam Birnbaum (USA), Sharel Cassity (USA), Tobias Meinhart (Germany/US), numerous all- star groups including a recent European tour with Renee Rosnes, Terri-Lyne Carrington, Anat Cohen, Linda Oh and Melissa Aldana.

John Clayton

John Clayton

John Clayton is a natural born multitasker. The multiple roles in which he excels — composer, arranger, conductor, producer, educator, and yes, extraordinary bassist — garner him a number of challenging assignments and commissions. With a Grammy on his shelf and eight additional nominations, artists such as Diana Krall, Paul McCartney, Regina Carter, Dee Dee Bridgewater, Gladys Knight, Queen Latifah, and Charles Aznavour vie for a spot on his crowded calendar.

He began his bass career in elementary school playing in strings class, junior orchestra, high school jazz band, orchestra, and soul/R&B groups. In 1969, at the age of 16, he enrolled in bassist Ray Brown’s jazz class at UCLA, beginning a close relationship that lasted more than three decades. After graduating from Indiana University’s School of Music with a degree in bass performance in 1975, he toured with the Monty Alexander Trio (1975-77), the Count Basie Orchestra (1977-79), and settled in as principal bassist with the Amsterdam Philharmonic Orchestra in Amsterdam, Netherlands (1980-85). He was also a bass instructor at The Royal Conservatory, The Hague, Holland from 1980-83.

In 1985 he returned to California, co-founded the Clayton-Hamilton Jazz Orchestra in 1986, rekindled the The Clayton Brothers quintet, and taught part-time bass at Cal State Long Beach, UCLA and USC. In 1988 he joined the faculty of the University of Southern California Thornton School of Music, where he taught until 2009. Now, in addition to individual clinics, workshops, and private students as schedule permits, John also directs the educational components associated with the Lionel Hampton Jazz Festival, Centrum Festival, and Vail Jazz Party.

Career highlights include arranging the ‘Star Spangled Banner” for Whitney Houston’s performance at Super Bowl 1990 (the recording went platinum), playing bass on Paul McCartney’s CD “Kisses On The Bottom,” arranging and playing bass with Yo-Yo Ma and Friends on “Songs of Joy and Peace,” and arranging playing and conducting the 2009 CD “Charles Aznavour With the Clayton-Hamilton Jazz Orchestra,” and numerous recordings with Diana Krall, the Clayton Brothers, the Clayton-Hamilton Jazz, Orchestra, Milt Jackson, Monty Alexander and many others.

Fall 2016 Guest Artists

Jamey Aebersold

Jamey Aebersold

Jamey Aebersold is best known as the creator of the popular Jamey Aebersold Jazz Play-A-Long series. He is an internationally known saxophonist, educator, author, and publisher of books for developing skills in jazz improvisation. His Summer Jazz Workshops established the model for small group jazz instruction and attract students from around the world. A tireless educator, he has at times played more than 60 public school concerts in a year. Jamey was named the A.B. Spellman National Endowment for the Arts Jazz Master for Jazz Advocacy in 2014. He graduated from Indiana University with a Master of Music degree in 1962 and received an honorary doctorate from IU in 1992.

Jonathan Wolf: "Seinfeld Music Guy"

Jonathan Wolff - Seinfeld Music Guy

Acclaimed musician Jonathan Wolff created the music for 75 primetime network series and is best known for his iconic Seinfeld music. Now retired, he thrills concert and lecture audiences with wonderful insider stories and Q/A about his remarkable Hollywood career including yada yada of working with Jerry Seinfeld and Larry David. A masterful pianist (think Will & Grace), Jonathan Wolff offers a performance lecture about his musical journey that is both entertaining and informative. Hear how a young artist from Kentucky became a Hollywood music legend and composer for some of TV’s hottest shows!

Gabriel Alegria Afro-Peruvian Sextet

Gabriel Alegria Afro-Peruvian Sextet

One of the most influential figures on the current jazz scene in Perú, Gabriel Alegria was born into an artistic family in Lima in 1970. Alegria’s grandfather Ciro was Peru’s most famous novelist and his father Alonso is Perú’s most acclaimed playwright.

Alegria’s current recording Nuevo Mundo, on Saponegro Records, soared to the top of both Jazz Week World Music charts and CMJ’s jazz charts, staying on the air for more than 6 months. The CD includes collaborations with jazz artists Tierney Sutton, Bobby Shew, Russell Ferrante and Bill Watrous as well as with the formidable native Afro-Peruvian artists Freddy “Huevito” Lobaton (Peruvian percussion – cajon, quijada, cajita), Hugo Alcazar (drums), Jocho Velazquez (acoustic guitar) and Joscha Oetz (bass). The CD, which includes six compositions by Alegria and his Afro-Peruvian jazz arrangement of the Gershwin classic “Summertime,” represents his most varied work as a trumpeter and composer to date.

During the course of a career that has spanned the globe, Alegria has appeared in concert and/or on recordings with Maria Schneider, Placido Domingo, Kenny Werner, Ingrid Jensen, Tierney Sutton, Natalie Cole, The Peruvian National Symphony, Bill Watrous, John Thomas, Russ Ferrante and Alex Acuña. Most recently Gabriel completed the groundbreaking “Tour Peru”, a new model in touring that included 40 fans that accompanied the Afro-Peruvian Sextet throughout Peru. He has also performed concerts for the United Nations and various diplomatic missions from around the world. The Afro-Peruvian Sextet has appeared in over 300 concerts and master classes throughout North America.

Chris Botti

Chris Botti - Impressions

Botti seemed destined to become a musician -- and even to become the kind of musician he is today -- almost from the very beginning. Born in Portland, Oregon, he was encouraged to pursue music by his mother, a concert pianist. He also had an early taste of the international world that would become his primary territory as a successful performing artist. His father, who is Italian, taught English and Italian languages, and he took the family to live in Italy for several years, beginning when Botti was in the first grade.

After attending Indiana University, and studying with the highly regarded jazz educator David Baker, the great trumpet teacher Bill Adam, jazz trumpeter Woody Shaw and jazz saxophonist George Coleman, he moved to New York in the mid-‘80s. His early career was spent crafting his skills in settings reaching from the Buddy Rich Big Band and Frank Sinatra to Natalie Cole and Joni Mitchell. Throughout the ‘90s and into the new century, Botti played extensively with Paul Simon, and had an especially creative association with Sting.

Now a major artist in his own right, performing worldwide, selling more than three million albums, he has found a form of creative expression that begins in jazz and expands beyond the limits of any single genre. With Impressions and the albums that preceded it, Chris Botti has thoroughly established himself as one of the important, innovative figures of the contemporary music world.

Jerry Hey

Jerry Hey

Jerry Hey is an American trumpeter, flugelhornist, horn arranger, string arranger, orchestrator and session musician who has played on hundreds of commercial recordings, including Thriller and the distinctive flugelhorn solo on Dan Fogelberg's hit "Longer". He is known as the Seawind trumpeter and arranger who plays with Gary Grant, Larry Williams and Bill Reichenbach Jr.. Hey was born in Dixon, Illinois, in 1950, to parents well known in the area for their involvement in music. He attended the National Music Camp for two summers. While in college, Hey studied under Bill Adam at Indiana University. He composed and arranged the song "Jedi Rocks" for the 1997 Special Edition re-release of Return of the Jedi. He co-produced four songs on Lisa Stansfield's 2014 album, Seven.

Francois Moutin: Moutin Factory Quintet

Moutin Factory Quintet

Born in Paris on Chrismas Eve 1961, Louis Moutin developed an early passion for music, particularly Jazz, in which he becamed immersed thanks to the family’s record collection. When he was seven years old, Louis began teaching himself to play piano. At age 20, he chose to become a jazz drummer.

At 24, after completing training as an engineer at the prestigious Ecole Centrale de Lyon and receiving a Masters Degree in Mathematics, Louis decided to abandon a career in technology and to pursue his musical interests. Within three years, he was a member of the very successful Machado Trio, and was already regarded as one of the best European Jazz drummers, performing frequently in the international Jazz Festival network.

At 29, Louis teamed with his twin brother Francois, a highly regarded upright bass player, to form their first group. This collaboration by the Moutin brothers drew praise from Jazz audiences and music professionals alike. In 1998, the Moutin brothers have created the Moutin Reunion Quartet. This quartet has released 5 albums and performed more than 450 concerts. In 2013 they come with a new band, the Moutin Factory Quintet, that gives its first concert at Jazz in Marciac and release a new album "Lucky People".