Vol 1, No. 7  ~  February 15, 2005

Les Dialogues des Carmélites
an opera by Francis Poulenc

Synopsis
Act I

In Paris in 1789, the French Revolution is brewing. The Marquis de la Force and his son are discussing Blanche, the Marquis’ fearful daughter. Blanche enters, frightened by an encounter with an angry mob and convinced that the world is “an alien place in which I cannot live.” Believing that she will be safer at a convent, she announces that she has resolved to join the Carmelite order.

During her interview with Madame de Croissy, the Carmelites’ ailing Prioress, Blanche is warned that the order is not a protection from life but a house of prayer.

Now a novice, Blanche scolds the young novice Sister Constance for chattering while they work, as their beloved Prioress lies dying.  Constance confides her premonition that she and Blanche will both die young and on the same day.

The dying Prioress consigns Blanche to the care of the loyal Mother Marie.  The Prioress suffers a feverish vision of their chapel being ravaged and then succumbs to an agonizing death.

Act II

Blanche and Constance keep vigil over the bier of the deceased Prioress.  When left alone, Blanche is overcome by fear and tries to leave but is intercepted by Mother Marie, who leads her back to her cell.

Blanche tells Constance that she was shocked to see their beloved Prioress suffer such a wretched death. Constance suggests that God gave the Prioress a death much too “small” for her so that someday a lesser person might be surprised how bravely he can face death.

The Carmelite sisters assemble to pledge obedience to their new Prioress, Madame Lidoine.  She warns the sisters that their days of security may soon be over and that unforeseen trials may await them.

Blanche ’s brother, the Chevalier, arrives at the convent to tell Blanche that, as an aristocrat, he must flee France, and warns her that she, too, is in danger from the escalating Terror.  He urges her to leave the convent, but she tells him that she now relies on God’s will.

The Chaplain informs the sisters that he has been relieved of his duties by the revolutionary regime and now must leave them.  A revolutionary mob gathers outside the convent, and officials enter and read a decree ordering the dissolution of all religious orders.  After they leave, Sister Jeanne tells the sisters that their Prioress is leaving for Paris on business and then entrusts to Blanche a statue of the Infant Jesus.  Traumatized by the noise of the anger crowd outside, Blanche drops the statue and it shatters on the floor.

Act III

The Carmelite sisters secretly gather in their ruined chapel convent with their Chaplain.  Mother Marie, in charge during the Prioress’ absence, proposes that the sisters take a vow of martyrdom, which would be binding only if it were unanimous.  When a secret vote is held, all suspect Blanche of casting the sole dissenting vote, but Constance announces that is was she who dissented but now wishes to reverse herself to make it unanimous.  As the sisters complete the vow, Blanche flees from the convent.

In the ravaged home of her father, who has fallen to the guillotine, Blanche toils as a servant.  Mother Marie, also in civilian dress, arrives to try to persuade Blanche to rejoin her sisters.  Blanche refuses, feeling safer where she is.

The Carmelites have been imprisoned in the Conciergerie.  Constance tells her sisters she has dreamt that Blanche will rejoin them.  After a jailer reads the sisters their death sentence, the Prioress gives them her final maternal blessing.

Mother Marie learns from the Chaplain that her sisters are to be executed immediately.  She feels obligated to rejoin them, but the Chaplain counsels her to let God decide her fate.

At the Place de la Revolution, the Carmelite sisters mount the scaffold one by one, singing the Salve Regina. Just as Constance, the last of them, is about to go to the guillotine, Blanche makes her way through the crowd of onlookers.  Finally free from her fears, she takes up the unfinished hymn and goes to meet her fate.


Enjoy the pre-concert informance one hour before each performance
Musical Arts Center Lobby, 7:00 p.m.


Curtain time for IU Opera Theater is promptly at 8 p.m., by which time all opera goers should be in their seats.
Latecomers will be seated at the discretion of the management. Thank you for your cooperation.

  School of Music

  Les Dialogues
  des Carmélites


   Introduction
   Synopsis
  
Program Notes
   Cast List
   Orchestra & Chorus
  
Biographies
  
Press Coverage
  
Ticket Info

  
Production Photos