Edward Auer Piano Workshop

Edward Auer Piano Workshop

2018 Faculty


Director and Coordinator
edward auer
Edward Auer, Director
Jacobs School of Music
jungwha
Junghwa Moon Auer
Coordinator and Faculty
Special Guests
fogel

Henry Fogel

Neely.jpg

David Neely

Workshop Professors
bithell
Peter Bithell

min jung lee
Min Jung Lee


Winston Choi
jeong-won wuh
Nohee Kwak

Michał Szymanowski

 jeong won

Jung-Won Suh

 

 


 Junghwa Moon Auer

A native of Korea, Junghwa Moon Auer began her piano study at the age of six. She attended the prestigious Yewon Middle School and Seoul Music and Art High School where she was recognized as one of their most gifted students.

After graduating from Yeonsei University in Korea, Ms. Moon came to the United States in 1993 to study at the New England Conservatory, where she obtained her MM degree. She attended the Aspen Music Festival four summers, as well as summer programs in Chautauqua, Luzern, and Prague. At the College Conservatory of Music in Cincinnati she pursued her DMA, meanwhile winning CCM’s concerto competition, a live radio broadcast on WGUC in Cincinnati, and in Italy won a prize in the Ibla International Competition. During this time she was also invited back to Korea to play in the Kumho Recital Series.

In 2001 Ms. Moon returned home, where she performed frequently in Seoul, Busan and Gwangju and taught in several institutions, including Seoul National University. During this time she performed Beethoven’s Emperor concerto with the Janácek Orchestra in the Czech Republic, the Chopin E minor with the Zilina Orchestra in Slovakia and Mozart K. 467 with the Cairo Symphony, the first Korean pianist ever to play in Egypt.

Having attended the Prague Keyboard Institute as a student a few years before, she returned there in 2011 & 2012 as a faculty member. A couple of years later she helped New York’s Young Concert Artists to hold regional Asian auditions in Seoul, and served on their preliminary Jury.

When Ms. Moon came to live in Bloomington in 2006, the Edward Auer Chopin Class had existed for some time as a small annual event. She saw its potential, and, as Coordinator, built it year by year, step by step, into what we have today. Her first innovation was expanding the Workshop’s purview from Chopin to all repertoire. Vigorous recruitment soon brought more and more students from other countries. Outreach concerts as nearby as Meadowood and as far as New York City’s Steinway Hall successfully raised the profile of the Workshop. A solo competition was introduced, with great success. In 2014 the workshop took a gamble on one of Junghwa’s dreams for the Workshop: a concerto competition, with chances for two participants to play a whole concerto with orchestra. In 2015 for the first time at JSoM the entire Workshop streamed and saved in archives, enabling remote participation and incrementally increasing the Workshop’s geographical reach.

Junghwa Moon and her husband Edward Auer have been performing as a duo for the last eight years in many cities in the US, Canada, Hong Kong and Korea. From 2017 she will be joining as an artist faculty member at Roosevelt University.

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Henry Fogel

Henry Fogel was appointed Dean of the Chicago College of Performing Arts at Roosevelt University beginning in July, 2009, a school at which he has taught a course in orchestral studies since 2002. In addition, he continues to provide a limited amount of consulting for musical organizations, working as a part of the Catherine French Group. Recent clients include the Louisville Orchestra, the Jacksonville Sympohny, and the Seattle Symphony. He has been an artistic consultant to the Sao Paulo Symphony Orchestra in Brazil since 2008, and has consulted for the Royal Scottish National Orchestra and the Edinburg Festival. He is also a Visiting Professor at the Conservatory of Music in Guangzhou, China.

From 2003-2008 he was President and CEO of the League of American Orchestras, an organization that serves almost 1,000 symphony orchestras. He retired from that position in 2008, but remained as a senior advisor through 2009. During his seven years with the League, he visited over 190 orchestras in America. Under his leadership the League attained fiscal stability, operating in the black for each year of his Presidency. In addition, the League undertook a major strategic planning process, resulting in a more effective and responsive service organization for the field. 

From 1985-2003, Mr. Fogel was President of the Chicago Symphony Orchestra, leading the organization through a period of enormous change. Under his leadership the Orchestra’s endowment increased from $19 million to over $160 million, and he oversaw the $125 million renovation of Orchestra Hall. In addition to maintaining its artistic supremacy, the Chicago Symphony during Mr. Fogel’s term dramatically strengthened its community engagement and educational programs. Fifteen of the eighteen years in which he served saw balanced budgets or surpluses, and during his time there attendance to classical subscription concerts increased by more than 20%.

From 1981-1985, Mr. Fogel was Executive Director of the National Symphony Orchestra of Washington, D.C., and from 1978-1981 he was Orchestra Manager of the New York Philharmonic. From 1963-1978, he was Program Director and Vice-President of WONO, a full-time classical music commercial radio station in Syracuse, New York.

Henry Fogel has served on non-profit boards virtually without interruption since 1967, when he was elected to the Board of Directors of the Syracuse Symphony Orchestra. Currently, he serves on the Executive Committee of the Avery Fisher Artist Program, the WFMT Committee of the WTTW Board in Chicago, and the Boards of the Institute for the Study of Black Music at Columbia College, Cedille Chicago, and the Chinese Fine Arts Society, and is President of the Board of the Chicago Opera Theater.

Mr. Fogel has also been a reviewer of recordings for Fanfare magazine since 1986. He has contributed several entries to The Harvard Dictionary of Music. He has been a judge for conducting and other competitions in New York, Tokyo, Helsinki, and Sofia, and he has served on arts council review panels in New York, Ohio, Missouri, Illinois, and Ottawa, as well as for the National Endowment of the Arts. In November, 2009, he was the President of the Jury for the Music Competition of the Montreal Symphony Orchestra.

He has received honorary doctorate degrees from Roosevelt University, Northwestern University, the Curtis Institute, and Columbia College in Chicago. In 1999 Mr. Fogel received a Cultural Leadership Citation from Yale University for service to the cultural life of the nation. In June, 2009, he received the highest honor in the symphony orchestra field, the League of American Orchestras’ Gold Baton Award. In 1997 he received the Top Chicagoan Award from Chicago Magazine, and in 1990 was named by Business Week magazine as one of the five best managers of cultural organizations in the United States. In 2003 he was honored by the Illinois Arts Alliance as an Illinois Arts Legend. In 2007 he was cited for “outstanding contributions to and accomplishments in the field of Music Education” by the National Association for Music Education.

Mr. Fogel has also served as a narrator with a number of orchestras and chamber groups, performing Copland’s Lincoln Portrait, Stravinsky’s L’Histoire du Soldat, Britten’s Young Person’s Guide to the Orchestra, Russell Peck’s The Thrill of the Orchestra, and adaptations of Prokofiev’s Romeo and Juliet and Grieg’s Peer Gynt. He has recorded a speaking part in Paul Salerni and Dana Gioia’s opera Tony Caruso’s Last Broadcast on the Naxos label. He has also produced a number of internationally syndicated radio programs for Chicago’s Fine Arts Station WFMT, including currently Collectors’ Corner, which is derived from his extensive personal collection of over 25,000 classical recordings. He has also been a regular panelist on the Metropolitan Opera Broadcast Quiz. He has also written program notes for a number of recording companies, including Sony, Delos, and Immortal Performances, and for the Syracuse Symphony and Chicago Symphony Orchestras.

Mr. Fogel lives in River Forest, Illinois with his wife Frances. They have two children, Karl and Holly, and five grandchildren. In addition to music, he also has a passion for cooking Chinese food, and he studied over three years with Virginia Lee, who wrote the New York Times Chinese Cookbook.

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David Neely

David Neely is visiting associate professor of music in orchestral conducting at the Indiana University Jacobs School of Music.

In 2012, Opera News wrote, “The happy news of David Neely’s appointment as Des Moines Metro Opera’s (DMMO) first-ever music director portends some exciting operatic growth at Des Moines in years to come.” Since then, Neely has elevated the company’s musical profile with acclaimed performances of a wide range of repertoire such as Turandot, Billy Budd, Manon, Falstaff, Elektra, Peter Grimes, Dead Man Walking, Macbeth, Don Giovanni, and La Fanciulla del West. DMMO's televised Jenůfa and Manon, produced by Iowa Public Television, received Emmy nominations, and Neely’s recent performance of Britten's epic masterwork Billy Budd was recently praised in the Chicago Tribune.

Internationally, Neely has led the Bochumer Symphoniker, Dortmunder Philharmoniker, the Symphonieorchester Vorarlberg, and performed in numerous European opera houses including Bonn, Halle, Dortmund, and St. Gallen. In the United States, Neely has recently appeared with the Portland Symphony Orchestra and Sarasota Opera, where he is a regular guest conductor. He has appeared for concerts and opera at the Indiana University Jacobs School of Music, Roosevelt University’s Chicago College of Performing Arts, and Sarasota Opera, where he has led numerous productions including their American Classics series of twentieth-century operas. He has collaborated with such soloists as Joshua Roman, Bella Hristova, Benjamin Beilman, Rainer Honeck, Nicholas Daniel, Delfeayo Marsalis, Phillippe Cuper, Ben Lulich, and Ricardo Morales. Neely has conducted the German premiere of Mark Anthony Turnage's The Silver Tassie, the North American premiere of Robert Orledge's reconstruction of Debussy's The Fall of the House of Usher, and, recently, world premieres of Arthur Gottschalk's Four New Brothers, Billy Childs' Concerto for Horn and Strings, and Alexandre Rydin's Clarinet Concerto.

Neely headed orchestral activities and orchestral conducting at the University of Kansas for nine years, where he brought distinction and greater community visibility to the orchestra program. The KU Symphony Orchestra regularly performed with prominent international soloists, frequently appeared at the renowned Kauffman Center for the Performing Arts in Kansas City, and was the resident orchestra of the Eutiner Festspiele in Germany in 2011. In 2016, The Kansas Federation of Music Clubs named Neely Kansas Artist-Educator of the Year.

Upcoming performances include Jake Heggie's It's a Wonderful Life and West Side Story at the Jacobs School, D'Albert's Tiefland with Sarasota Opera, Falstaff with Intermountain Opera in Bozeman, Montana, Rusalka and Flight in Des Moines, as well as concerts with the orchestras of the Jacobs School.

He earned a B.M. in Piano Performance and an M.M. in Orchestral Conducting from Indiana University, where his teachers were Zadel Skolovsky and Leonard Hokanson (piano), and Thomas Baldner and Bryan Balkwill (conducting). He received post-graduate study in orchestral conducting with Gerhard Samuel at the College-Conservatory of Music at the University of Cincinnati.

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Jerome Lowenthal

Jerome Lowenthal, born in 1932, continues to fascinate audiences, who find in his playing a youthful intensity and an eloquence born of life-experience. He is a virtuoso of the fingers and the emotions.

Mr. Lowenthal studied in his native Philadelphia with Olga Samaroff-Stokowski, in New York with William Kapell and Edward Steuermann, and in Paris with Alfred Cortot, while traveling annually to Los Angeles for coachings with Artur Rubinstein. After winning prizes in three international competitions (Bolzano, Darmstadt, and Brussels), he moved to Jerusalem where he played, taught and lectured for three years.

Returning to America, he made his debut with the New York Philharmonic playing Béla Bartók’s Piano Concerto No. 2 in 1963.  Since then, he has performed everywhere, from the Aleutians to Zagreb. Conductors with whom he has appeared as soloist include Barenboim, Ozawa, Tilson Thomas, Temirkanov, and Slatkin, as well as giants of the past such as Leonard Bernstein, Eugene Ormandy, Pierre Monteux and Leopold Stokowski. He has played sonatas with Itzhak Perlman, piano duos with Ronit Amir (his late wife), Carmel Lowenthal (his daughter), and Ursula Oppens, as well as quintets with the Lark, Avalon and Shanghai Quartets.  He has recently recorded the Beethoven Piano Concerto No. 4 with cadenzas by eleven different composers.  His other recordings include concerti by Tchaikovsky and Liszt, solo works by Sinding and Bartók, and chamber music by Arensky and Taneyev.

Teaching is also an important part of Mr. Lowenthal's musical life. For twenty years at the Juilliard School and for forty-one summers at the Music Academy of the West, he has worked with an extraordinary number of gifted pianists, whom he encourages to understand the music they play in a wide aesthetic and cultural perspective and to project it with the freedom which that perspective allows.

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Julian Martin

Pianist Julian Martin first came to international attention as winner of the Montevideo International Competition in 1975. He also received major prizes in the Casadeus/Ravel (now Cleveland Int'l), Kapell and Bachauer competitions. In 1982 he was awarded the Jury's Collaborative Prize at The Tchaikovsky International Competition . He has since served as juror for many major competitions including the Iowa Int'l, Montreal, American Pianists' Foundation, Virtuosi Of The Year 2000 in St. Petersburg, as well as national events in Colombia, Canada and Korea. 

He was among the original selection committee of the Gilmore Foundation's in Kalamazoo. He is founder and Artistic Director of Gijón International Piano Festival (Asturias, Spain). Since 1999 he has been faculty member of the Bowdoin International Music Festival, and Guest Faculty member of the Glenn Gould Professional School (Toronto) and the Conservatoire Tibor Varga (Switzerland), and the Banff Centre (Canada). He has presented master classes in Great Britain, Canada, Colombia, Germany, Korea, Switzerland, Taiwan, Venezuela and Israel. Martin's teachers include Leon Fleisher, Guido Agosti and Nadia Boulanger.

He has taught at Oberlin Conservatory, Peabody Institute of the Johns Hopkins University, and has been a member of the piano faculty of The Juilliard School since 1999.

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Peter Bithell

Peter Bithell studied with Gordon Green at the Royal Academy of Music and subsequently with Guido Agosti in Italy and with Maria Curcio in London.

He won many prizes and awards at International Piano Competitions, notably Busoni (Bolzano), Reina Sofia (Madrid), Paloma O’Shea (Santander), Dudley, Marguerite Long (Paris) and the Rachmaninoff Prize in Italy.

Bithell has played extensively in Europe and South America. He gives regular master classes, notably in Spain, and has served on the juries of several International Piano Competitions. He has been a professor at the Guildhall School of Music & Drama since 1987.

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Nohee Kwak

Dr. Nohee Kwak is currently an adjunct professor of piano at School of Music, Konkuk University Seoul Korea. She has been invited to teach students in many of the prestigious music institutions such as Seoul National University, Ehwa Womens University, Sunwha Art Middle and High Schools, Seoul Music and Art High School, and Kyunghee University in South Korea. She also has been a festival scholar at major music institutions in South Korea and other countries.

She obtained bachelor’s degree from Seoul National University and finished her master studies in piano performance under James Tocco at Indiana University, Bloomington. While in Doctorate program in piano performance at Wisconsin University School of Music, she won Beethoven competition and Dorothy Anderson International Competition.

As a nationally and internationally recognized pianist, she performed in numerous concert halls in Korea, including Sejong Art Center, Gumho Art Hall, Seoul Art Center, Buam Art hall, Kwangju Art Center, Iwon Culture Center, and Chopin Hall. Dr. Kwak has had numerous recitals in various countries including Czech Republic, Hungary, and USA. As a soloist pianist with orchestra, she performed with University of Wisconsin Orchestra, Vivaldi Chamber Orchestra, Prime Philharmonic Orchestra, Janacek Orchestra, Bohuslav Martinu Philharmonic Orchestra, and Seoul Chamber Orchestra, among others. As a member of Buam Piano Society, she had been invited to perform in concerts in Korea, China, Taiwan, Japan, Germany, and Rumania.

She actively performs as a member of Piano & Us Ensemble. She is also proud of herself being an inspiring teacher for her young pianists. 

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Michał Szymanowski

One of the most promising Polish pianists of the young generation, Michał Karol Szymanowski was born in 1988 into a musical family. He graduated with honours from the Feliks Nowowiejski Academy of Music in Bydgoszcz, where he studied piano with Katarzyna Popowa-Zydroń and symphonic-operatic conducting under Zygmunt Rychert. He honed his skills with Eldar Nebolsin at the Hochschule für Musik Hanns Eisler in Berlin. At present he continues his piano education as a doctoral student and at the same time works as an assistant lecturer at his alma mater and at the Academy of Music in Łódź.

Michał has won top awards in a number of national and international piano competitions, including the MozARTè International Piano Competition in Aachen (2016), the International Chopin Piano Competition in Daegu, Korea (2015), the Zarębski International Music Competition in Warsaw (2012), the Yamaha Music Foundation of Europe Piano Competition in Katowice (2011), the Paderewski International Piano Competition in Bydgoszcz (2010), the International Competition in Memory of Vladimir Horowitz in Kiev (2007), and the Polish National Chopin Piano Competitions in Warsaw (2008, 2015). In 2015 he was the highest placed quarter-finalist in the International Chopin Piano Competition in Warsaw.

Michał has given performances in Poland and other European countries (including Germany, England, Italy, Spain, France, Belgium and Switzerland) as well as on other continents (in the United States, Japan, Brazil, Argentina and Venezuela). Of particular note, he has also performed in the Palace of Nations in Geneva, the Paul VI Audience Hall in the Vatican (a concert for Pope Benedict XVI), at Warsaw’s Belvedere Palace for Polish President Bronisław Komorowski, numerous philharmonic halls throughout the world as well as major festivals in Poland and abroad, among them Oficina de Música de Curitiba, Festival Internacional de piano Chopiniana in Buenos Aires, Festival Europeo de Solistas in Caracas, Festival Pianistico di Roma, the Long Lake Festival in Lugano, and the “Chopin and His Europe” Festival in Warsaw, where he brilliantly performed piano concertos by Ignacy Jan Paderewski and Józef Wieniawski.

Michał has performed under such eminent conductors as Alfredo Rugeles, Medardo Caisabanda, Jacek Kaspszyk, Antoni Wit, Marek Pijarowski and Michał Dworzyński with, among others, the Teresa Carreño Youth Orchestra of Venezuela, the Symphonic Orchestra of the Cláudio Santoro National Theatre in Brasilia, the Warsaw, Cracow, Wrocław and Szczecin Philharmonic orchestras, the Polish Radio Symphony Orchestra, the Polish Sinfonia Iuventus Orchestra and the Capella Bydgostiensis Chamber Orchestra.

Apart from solo repertoire, Michał also frequently performs chamber music, in which his partners are the Silesian Quartet, Erzhan Kulibaev, Benedict Kloeckner, Anna Maria Staśkiewicz, Maria Machowska, and many others.

Michał has released two solo albums for CD Accord, featuring compositions by Fryderyk Chopin, Ignacy Jan Paderewski, Karol Szymanowski and Józef Wieniawski. The recordings were critically acclaimed. One reviewer wrote: “Uncommon talent and a pianist of great promise.”

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Winston Choi

Winner of the 2002 Orléans Concours International and Laureate of the 2003 Honens International Piano Competition, Canadian pianist Winston Choi is an inquisitive performer whose fresh approach to standard repertory, and masterful understanding, performance and commitment to works by living composers, make him one of today’s most dynamic young concert artists.

Choi maintains an active international performing schedule. In demand as a concerto soloist, orchestras he has appeared with include the Calgary Philharmonic Orchestra, the CBC Radio Orchestra, the Champaign-Urbana Symphony Orchestra, the Cheyenne Symphony Orchestra, the East Texas Symphony Orchestra, the Elmhurst Symphony Orchestra, the Fort Collins Symphony Orchestra, the Kitchener-Waterloo Symphony Orchestra, the Kamloops Symphony Orchestra, Orchestra Iowa, the Northwest Indiana Symphony Orchestra, the Peninsula Music Festival Orchestra, La Orquesta Sinfónica Nacional de Colombia, l’Orchestre Symphony d’Orléans, l'Orchestre National de Lille, l’Orchestre Symphonique d’Orléans, the Mississauga Symphony Orchestra, the Peninsula Music Festival Orchestra, the Richmond Symphony Orchestra, and the Victoria Symphony Orchestra. 

Known for his colorful approach to programming and insightful commentary from the stage, Choi has recently appeared in recital at the National Arts Centre of Canada, the Glenn Gould Studio in Toronto, New York’s Carnegie-Weill Recital Hall and Merkin Recital Hall, the Kennedy Center and the Library of Congress in Washington D.C., the Kravis Center in Florida, and the “Cicle Grans Solistes” in Spain. Choi performs extensively in France, having played venues such as the Salle Cortot, Lille’s Festival Rencontre Robert Casadesus, the Messiaen Festival, and the Strasbourg Festival.

Frequently in demand throughout his native Canada, he has been awarded numerous grants from the Canada Council for the Arts. His numerous  performances can often be heard on CBC radio broadcasts. Recently, he toured Eastern Ontario and Quebec under the auspices of Jeunesses Musicales and embarked on a 10-city Prairie Debut tour of the Canadian Prairie provinces. Choi is currently touring with Bach's epic Art of Fugue. An accomplished chamber musician, he tours regularly with his wife, MingHuan Xu as Duo Diorama, as well as with the ensemble Pivot Chamber Soloists and the Civitas Ensemble. 

As a dedicated champion of contemporary music, Choi has premiered and commissioned over 100 works by young composers as well as established masters. A composer himself, being involved with the creative process is an integral part of his artistry. He was the first pianist to perform Pierre Boulez’s last version of Incises in North America and made the South American premiere of Luciano Berio‘s Sonata for pianoforte solo. He also regularly appears in concert at IRCAM, the world’s most renowned institution for contemporary music. Composers he has collaborated with include William Bolcom, Elliott Carter, John Corigliano, Brian Ferneyhough, Bright Sheng, Christian Wolff, Chen Yi and John Zorn. He is also a core member of the new music ensemble Brave New Works and the Chicago-based Ensemble Dal Niente. His upcoming performances include piano concerti by Jeffrey Mumford, John Melby and Jacques Lenot.

Already a prolific recording artist, Choi’s debut CD, the complete piano works of Elliott Carter  (l’Empreinte Digitale in France) was given 5 stars by BBC Music Magazine. He has also recorded 2 CDs of the piano music of Jacques Lenot for the Intrada label, having won the Grand Prix du Disque from l’Académie Charles Cros for Volume I. Other labels he can be heard on include Albany, Arktos, Crystal Records, Naxos and QuadroFrame. 

Choi began his studies in Toronto with James Tweedie and Vivienne Bailey. He obtained both his Bachelor and Master Degrees at Indiana University, receiving the Performer’s Certificate studying with Menahem Pressler. Further studies were with Ursula Oppens at Northwestern University, where he completed his Doctorate of Music. An accomplished teacher, he is also in demand as a master class clinician. Previously on the faculties of Bowling Green State University and the Oberlin Conservatory, he is Associate Professor and Head of Piano at the Chicago College of Performing Arts at Roosevelt University.

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Jung-Won Suh

Pianist Jung-Won Suh was born in South Korea in 1971. She is in the limelight both at home and abroad for her warm emotion, delicate musical sense, elaborate and colorful tones and clear organization. She is one of the renowned Korean pianists whose performance has reputation of being a “genuine pianism that completely reflects her inner-self.”

At her early age, she won many prizes at Smik Piano Competition, Joongang Music Concorus, KBS New Artist Music Competition. Music Association of Korean Competition. Yewon School Chamber Music Concours, Ewha Women’s University Concerto Audition and nation’s renowned concours. Her excellent ability was recognized by being invited to perform by Korea, China, Japan Young Musician festivals, Josun Daily’s News Art Concert, Seoul Arts Center in many occasions.

She also gained public favor by performing her unique passion and rich emotion in many performances with both domestic and foreign orchestras while attending university in Korea. She has performed with Moscow Chamber Orchestra, George Enescu Philharmonic, KBS Symphony Orchestra, Korea Symphony Orchestra, and various city Philharmonic Orchestras in Korea.

She attended Yewon Music School and Seoul Art High School, and Graduated from Ewha Women’s University in Korea as a top student of the Department of music performance. She continued her study at the New England Conservatory in U.S.A., received her Master’s Degree, and graduated diploma as the Best Performing Artist in the School. Then, she attended Indiana University and received the Artist Diploma.

She won many competitions such as the Honors Competition at NEC and I.U Concerto Competition. She also actively performed in various stages such as invited recital at Isabella Stuart Gardener Museum Concert Series, N.E.C. Brahms & Schubert Festival, Schubert, Schenberg & Schubert Festival, Indiana University Chopin Festival, and Indiana Chamber Cooperative Performances (with orchestras, Camber Concert). She expanded her stage to Europe and received enthusiastic praise from media and audience and the opportunity of various occasions to perform with Prague Symphony Orchestra, Slovak Sinfonietta, North Philharmonic Orchestra, and Hradec Kralove Philharmonics in Europe.

After she retuned home in 2001, she resumed her career in Korea by receiving the most prestigious prize for new musician by Music Journal as the most promising next-generation pianist. She has introduced unique mature musical world through establishing Academia I Filarmonici di Verona, Hoam Arhall cooperative performances with Krakow Philharmonic in Korea and Japan, and Euroasian Philharmonic Orchestra.

She has recently commenced recording several albums introducing Mozart piano concerto (No.9 & No.20), the 100th anniversary album of Griegs’death-Grieg Piano Concerto with Slovak Sinfonietta, and Tchaikovsky piano concerto No.1 with Prague Radio Broadcasting Orchestra. She performed Prokofiev piano concerto with Spain Cordoba Symphony Orchestra in the Europe Tour concert in Spain, Czech and Austria including a cooperative performance at Musikverein Golden Hall of Vienna in November 2008.

She enhanced her international status as an educator as well as a jury for the 7thInternational Piano Competition in Madrid in 2006 and for S.Scriabin International Piano Competition held in Grosseto, Italy in 2007.

She is currently a music director of K Music Academy in Seoul, Korea.

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Min Jung Lee

Pianist Min Jung Lee graduated from Seoul National University. She earned her masters degree from Indiana University and her doctorate from Yale University.

She gave her debut recital after winning first prize in the ChunChoo National Piano Competition. During her years in the United States she won second prize at the Performers of Connecticut Young Artists Competition, the Yale School of Music Alumni Association Prize and the Charles S.Miller Prize. She performed frequently across the country: in Connecticut, New York, Chicago, Indiana, Virginia and San Francisco.

After returning to Korea she continued her appearances as a soloist and chamber musician in numerous concert halls, and on live broadcast for KBS-FM. Lee maintains an active international performing career in her native Korea as well as in China, Hong Kong, Japan, Russia, Switzerland and Poland. She has recorded for the KBS Korean Musicians in the 21st Century CD series, and she has performed with the Russian Philharmonic Orchestra, Seoul Symphony, Korean Symphony, Yale Symphony and the Madri Chamber Orchestra in Seoul.

Currently she is a member of the Soma Trio formed with fellow Yale Alumni in Korea. The Trio was awarded the YeEum Prize, winning national acclaim. Sony/BMG recently released a recording by the group, titled Reminiscence; she is now also a member of the Korea Festival Ensemble. In 2017 Min Jung Lee joined the faculty of Seoul National University.

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