Indiana University Composers:

Usually, a specific day is scheduled for a recording/reading session. For Fall 2009, there will NOT be a specific reading session. Rather, I will read works as possible throughout the semester. So, if you have a work or excerpt you would like read, get in touch with me and I will try to fit it in.

David Dzubay

(The usual call is left below for reference...)

CALL FOR SCORES

2-8 works/excerpts will be selected for a reading, depending on length and difficulty. Preference will be given to ensemble works rather than chamber works. Works in progress are allowed, encouraged, and even preferred! This is meant to be a laboratory situation. Take advantage of it. Write 5 voicings of the same chord, orchestrate a passage 3 ways, try something you are not sure will work, etc.

MAXIMUM INSTRUMENTATION: 1111-1111-2pc,hp,2pn-2111
MINIMUM INSTRUMENTATION: 7 instruments

DATE of READING: TBA, 12:20-2:15, AH green room

SUBMISSIONS MUST INCLUDE: your e-mail address and telephone number; one score (indicate transposed or concert); duration of the composition or excerpt(s); one sample part; any harp or piano part

DEADLINE: 12:00 noon, Monday, TBA. Entries may be left for David Dzubay in the mail office (MU003).

SELECTED WORKS will be announced (posted on the NME bulletin  board in Clouse's Lounge) on TBA

PARTS: due TBA noon to David Dzubay - leave at mail room.
- parts MUST be neat, legible, accurate, double sided, bound, etc.
- include measure numbers at the start of every system
- it is preferable to also include rehearsal letters or numbers  (circled measure #s)
- account for page turns
- include cues as needed